4+ years of professional editing and finishing, plus local generative-AI and programmatic-video tooling. I cut, grade and deliver in DaVinci Resolve and Premiere Pro, and I automate the repetitive parts with ComfyUI, Remotion and Python.
Films I shot, graded and finished myself as Dron Maglaj. Click through to watch.
A full aerial film: DJI Mini 4 Pro capture, D-Log M grade and finishing in DaVinci Resolve, sound design and 4K delivery.
Why stacked color conversions ruin dynamic range, how to spot it in your node tree, and the clean workflow that fixes it.
Aerial footage of a helicopter drawing water from the river Bosna, edited into a short news-style report in 4K.
The tooling behind the films. This is the part that scales beyond a single edit.
Custom ComfyUI graphs with FLUX.1, Wan 2.1 and LTX-Video, plus ControlNet, IP-Adapters and LoRAs for frame-to-frame consistency.
Remotion (React) compositions for titles, captions, lower-thirds and data graphics, rendered from code instead of clicked together by hand.
Python and shell scripts, FFmpeg workflows and local LLMs (Ollama) that remove repetitive edit, QC and export steps.
DaVinci Resolve Studio: color management for D-Log M, Fusion VFX, Fairlight audio mastering, Topaz Video AI upscaling.
Tools I use daily.
I'm Nedim Bašić, a video editor from Bosnia and Herzegovina. I worked as a Technical Video Editor at ZiP Tech from 2022 to 2025, and before that I worked as a data analyst, which is why I treat video like data: measured, versioned and checked.
Alongside client work I run Dron Maglaj, an aerial cinematography channel that grew to 5,147 subscribers, including official promotional work for the Municipality of Maglaj.
UAV pilot licensed. English professional, Bosnian native.
Open to remote full-time roles, contracts and project-based work.